The various technical aspects of film production

Brantley Dunaway - The various technical aspects of film production

If you want to make a career out of filmmaking, it’s critical to have some (or even most) basic knowledge of the technical elements involved in film production. This blog’s goal is to summarise that information, according to Brantley Dunaway. So let’s get this party started!

Types of Film

There are three different types of films: realism, classical, and formalism. The finest films are the aesthetic and personal expressions of outstanding directors, according to Brantley Dunaway. The cinema serves societal functions, and its “art” has aided a variety of films that do not set out to be artistic.


  • The movie involves four primary perspectives.
  • Dimensions of the Retina
  • A long arc
  • Narrow Perspective
  • Angular Position

The camera shot enables the originator to define various relationships between the topics. It is between the listener and the subjects, according to Brantley M. Dunaway. You want to become a professional movie director, you first genius these methods!Every camera viewpoint stated above has its significance and use in the art of video storytelling. These viewpoints get used to elicit the emotions of the audience. So make sure you know the fundamental differences between them and what each one means so you can apply them appropriately in your next project!

1: Film and Video: History and Technical Aspects - Digital Filmmaking for  Beginners A Practical Guide to Video Production [Book]
  • Color

Color plays a crucial part in filmmaking in conveying the tone of a scene to the spectator. You must understand the color palette to be a well-known visual artist. Many of the best directors, cinematographers, and production designers come from a long lineage of visual artists. Color can get used in movies in a variety of ways.

Color is used throughout the picture, not just during the color correction and grading stages. The production design is the first step. Use the hue connected with the feeling you’re aiming to convey to make a scene emotionally resonate with the audience. Many filmmakers prefer to shoot raw as much as possible now that direct filming cameras are widely available. Capturing raw still photos is similar to shooting raw video (instead of JPEG), according to Brantley M. Dunaway. When you shoot raw video, you get a final image with the most dynamic range, detail, and overall image quality.

  • Editing

Film editing is one of those features of a film that sometimes goes unnoticed (at least in Hollywood films!). The film’s editor’s primary responsibility is to assemble the shots that make up the tale and ensure that they flow as smoothly and fluidly as possible so that the audience may fully participate in the plot. If the story necessitates it (or if they’re bad editors), some editors may purposefully remove this fluid smoothness from the storyline.

  • Mise-en-Scene

Mise en scène is a name used to explain the setup of an incident in a drama or a movie. It is declared Meez-ahn-sen. It includes anything on the stage or in front of the screen, such as individuals. In other sentences, mise en scène is a capture term for anything that adds to a movie’s visual aspect and total “stare.” It translates from French to “putting on the process.”

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